Shuji Terayama, Emperor of the Underground at the HFA

Shuji Terayama, Emperor of the Underground at the HFA
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During the Fall 2017 semester, the Harvard Film Archive presented a retrospective of the works of Shuji Terayama (b. 1935), a pioneer filmmaker of the postwar Japanese avant-garde. Also a poet, playwrite, and photographer, Terayama was known for his rich cinematic expression and innovative usage of different media.

This film series was organized in partnership with the Anthology Film Archives, National Film Archive of Japan, and George Eastman Museum with support from the Kinoshita Group, Tokyo Broadcasting System, and the Reischauer Institute.

In addition to the feature films listed above, the following short films were screened in two programs:

3 November 2017
Short Films - Program One

Click HERE for details.

Butterfly Dress Pledge (Chofukuki), 1974
The Cage (Ori), 1964
The Labyrinth Tale (Meikyutan), 1975
Emperor Tomato Ketchup (Tomato kechappu kotei), 1971/1966

18 November 2017
Short Films - Program Two

The second program was followed by a conversation between JULIAN ROSS, curator and scholar; CHIZURU USUI, Assistant Curator, National Film Center, The National Museum of Modern Art, Tokyo; HENRIKKU MORISAKI, long-time Terayama collaborator and Tenjo Sajiki member; and ALEXANDER ZAHLTEN, Associate Professor of East Asian Languages and Civilizations.

Click HERE for details.

Shadow Film: The Woman with Two Heads (Kage no eiga: nito onna), 1977
The Eraser (Keshigomu), 1977​​​​​​​
The War of Jan-Ken Pon (Janken senso), 1971​​​​​​​
Laura, 1974
The Trial (Shinpan), 1974