2020年2月21日～24日 Self Destruction Cinema: The Films of Tetsuya Mariko
2019年6月10日～23日 Extreme Cinema. The Action Documentaries of Kazuo Hara
2019年3月24日～4月27日The Other New Wave. Alternate Histories of Post WWII Japanese Cinema
2018年5月4日～6日Umetsugu Inoue, Japan's Music Man
2018年11月3日～26日 Shuji Terayama, Emperor of the Underground
2017年4月21日～5月22日 Hachimiri Madness! Japanese Independents from the Punk Years
2017年3月10日 The Art of Benshi, A Performance by Ichiro Kataoka
2017年3月3日 Three Radical Japanese Filmmakers
2017年2月24日～26日Three Films by Ryusuke Hamaguchi with Director Ryusuke Hamaguchi
Voices from the Waves (Nami no Koe)
Followed by Q&A and discussion with Director Ryusuke Hamaguchi, RIJS Visiting Fellow
From 2011 to 2013, Ryusuke Hamaguchi and Ko Sakai conducted a series of conversations with residents in the Tohoku region of Japan, an area heavily hit by both the earthquake and tsunami of March 2011. Their research resulted in three films, the second of which was Voices from the Waves (Nami no Koe, 2013). Featuring interviews with residents from the Tohoku region, this documentary explores how a single event impacts many lives and creates similar but unique pieces of storytelling.
Presented with Q&A and discussion with Director Ryusuke Hamaguchi, RIJS Visiting Fellow
Happy Hour is a slow-burning epic chronicling the sentimental journey of four thirtysomething women towards a new understanding of life and love. With a five-hour-plus running time, this film creates intimate and subtly complex character development, achieved by collaboration between director Ryusuke Hamaguchi and the actresses, who together defined the characters in a series of workshop sessions that preceded the film’s eight-month shoot. Winning awards at major international festivals this film has brought new attention to one of Japan’s most talented young directors.
Okinawa: The Afterburn
Followed by Q&A and discussion with Director John Junkerman
A major hit in Japan since its release in June 2015, on the 70th anniversary of the Battle of Okinawa, Okinawa: The Afterburn depicts the Battle through the eyes of Japanese and American soldiers who fought each other on the same battlefields, along with Okinawa civilians who were swept up in the fighting, and the complex postwar fate of Okinawa, an island that has had to live side-by-side with an extensive array of U.S. bases, and the related crimes, accidents, and pollution they have caused, while coexisting, on a personal level, with the occupying soldiers.
Followed by Q&A and discussion with Director Naotarō Endō and Producers Maiko Teshima and Kazuha Okuda, featuring Theodore Bestor
Tokyo’s Tsukiji market, the largest wholesale fish market on the planet, is on the verge of being relocated. What has made a tired, gritty 80-year-old complex in the heart of Tokyo not simply a commercial hub but a cultural arbiter of contemporary Japanese cuisine? The documentary provides a rich and sustaining portrait of Tsukiji. Spend a day with the buyers, sellers, chefs, local residents, and visitors who help make a fish market central to a city’s sense of identity at a moment when the market’s very future is in flux.
Tell the Prime Minister
Followed by Q&A and discussion with Director Eiji Oguma
Tell the Prime Minister is a documentary film on anti-nuclear movement in Japan following the Fukushima nuclear disasters of 2011. Composed of footage of protests taken by ordinary citizens and uploaded to the internet, the film includes interviews with individuals including former Prime Minister Naoto Kan, a hospital worker, a young entrepreneur, a self-proclaimed anarchist, and shop clerk, an illustrator, a Fukushima evacuee, and a Dutch businessperson.